THANK GOD FOR NICE PEOPLE LIKE TODD LEVIN

In a cab tonight, after a junk food bender so humiliating it should be recorded on some eating disorder web ring for teenage girls, I had an out of body experience. I was retrieving messages from my cell phone – my mom, two wrong numbers, and Fudge Castle telling me my order is cooling – and suddenly I felt a very familiar vibration in my ass. It was the same vibration my phone gives off in my pocket, but how could it be! I am sort of embarrassed to admit that I did a “phone take” where I pulled my own phone away from my ear, wondering how it could be vibrating while in use, though knowing full there was no “how”; it just couldn’t be.

Finally I realized the buzz was coming from another phone I’d sat on when I entered the cab. If it hadn’t been in my ass I probably wouldn’t have known it was there but, upon discovering it, it seemed a good idea to answer it. I wound up speaking with a nice girl named Helen, who was waiting somewhere for the phone’s owner – a man with a bit of a problem being on time. Helen and I are to be married in the fall, and you’re all invited, but that is not my story. Not now.

I did what I thought was most appropriate. I gave Helen my mobile number and instructed her to have her friend call me there so he could retrieve his phone. The succeeding turn of events is not worth report, except for two details:

When Phil (i think that was his name but couldn’t be trusted with this information; names drop out of my memory just as soon as they enter it. i’m excellent with fingerprints, however.) dropped by to retrieve his phone, I greeted him at my building’s stoop. He was a young guy – asian, slight – and he grabbed my hand and said, with alarming earnestness, “THANK GOD FOR NICE PEOPLE LIKE YOU.” It was actually kind of moving. Thank god for nice people like me? As he held tight on my hand, I feared he’d experience the same super-powers Bruce Willis had in Unbreakable. Through his touch, I wondered if he would be able to feel all the horrible things I’d done with my life, especially since some of them had occurred earlier that day. Would his expression change from gratitude to spiritual pain, and finally slacken into grim disgust as he backed away from me? Still, the very idea that he would thank God for people like me made me want to do something nice, like destroy my eugenics laboratory.

Earlier, when I was trying to find Phil’s information in his cell phone, I discovered that this model doubled as a digital camera. Curious, I selected a menu called “photo album”. There were only two photos in there. The first was Phil making a crazy face into the camera. The second was Phil making a less crazy face into the camera. I’ve a feeling there won’t be many more pictures than that during this phone’s lifetime, which is probably not so uncommon. On television commercials advertising camera-phones, there is always some scenario in which the phone’s owner sees the Grand Wizard of the KKK kissing a Mexican baby or something, and thank God for nice phones! In reality, 99% of the photos on those phones capture its owner making a crazy face. The other 1% are blurry shots of my penis head poking through the opening of my boxers. (sorry, phil. there’s no god in the history of religion you’ll want to thank for that.)

PRE-MODERN

So…does drinking milk past its expiration date make me retro? Oh, forget it.

[p.s. for new yorkers only: the newest issue of JEST is available at its many clandestine locations. it's their first glossy issue, and there are some very funny pieces in it. i would like to draw special attention to the interview with a member of the black israelites, protest signs for moderates, and chris regan's uncovering of urban myths. and, oh yes, i have something in there as well. it's a short piece i can only describe as 'toxically adorable.']

COUNTING DOWN

I’ve packed some clothes. Found a trustworthy friends to care for my lesbian cats. Refilled all my prescription drugs. Arranged to have my long distance telephone service disconnected. On May 15th, tremble will be on a two-month sabbatical. Because on May 15th, I head over to Loews Cineplex at 34th Street and begin camping out for the July 2nd premiere of Legally Blonde 2: Red, White & Blonde. Jealous much?

ONLY NICE THOUGHTS NOW

Very recently, a very nice (and concerned) reader suggested I might benefit from a personal retreat. She’d been reading my site diligently over the last couple of months and saw a pattern of disillusionment and sadness creeping into my writing. I was sort of taken aback by the forthright attitude of this perfect stranger, but decided to check out some of my old entries to measure them against her hypothesis anyway. Why? Because, above all else, I believe in scientific inquiry. Just ask my reflexologist.

It pains me to say this, but I have to agree with this reader. I scoured my entries from 2003 and found some painful evidence to corroborate her story. Here are some of the more tell-tale passages from the tremble.com dailies:

[January 16, 2003]
“Couldn’t sleep again last night. My mind was wracked by horrible nightmares. I dreamed I was the rounded end of a baguette in a cafĂ© table’s bread basket and no one wanted to eat me. Even the restaurant’s most morbidly obese patron refused me, choosing to butter his own fist instead.”

[January 28, 2003]
“Tonight I asked for K’s hand in marriage. K found the gesture uncomfortably impulsive; her warden agreed. She recommended I wait 8-10 years, possibly less with parole.”

[February 4, 2003]
“Lately I’ve become obsessed with suicide. Not my own, of course. Mostly my ex-girlfriend’s. Futterman explained that, technically, that’s called homocide. Why must Futterman always stand in my way? This is just like the time he told me my idea for a ‘PRACTICALLY NUDE GIRLS’ night club was unambitious. Right now I would like very much to help Futterman commit suicide.”

[February 21, 2003]
“I drew the curtains in my study because I never want to see daylight again. In addition, I would never again like to see Mrs. Lipinski shave her armpits in the window directly across from my study. If I had a gun, she’d be dead from suicide right now.”

[March 4, 2003]
“I long for the new Yo La Tengo album. And death’s cold embrace.”

[March 5, 2003]
“Downloaded the new Yo La Tengo off Kazaa. Now I just long for death. It feels good to simplify.”

[March 12, 2003]
“I can no longer wait for K’s answer. Today, I visited her correctional facility and brought her a cake with a pre-nuptial agreement baked inside it. I was born, and will die, a cautious romantic.”

[April 1, 2003]
“Good news! I don’t have syphillis. Bad News. I’ve already colored in most of my ‘SO YOU HAVE SYPHILLIS’ activity book. Is there no end to my grief?”

[April 15, 2003]
“Perhaps I’ve underestimated Radiohead.”

And here’s the most significant detail linking all of these posts together. The first one occurred on the very same evening I first viewed the trailer for Steve Martin’s newest film, Bringing Down The House.

BLACKMARKET DISEASES

This past year marks a personal low point in my physical health. I had a cold for a bit of October, and just about the entire month of December. Then, recently, it manifested itself again, just in time for everyone with a pulse and cable access to make an instantly hilarious “SARS” joke.

(i swear, if it weren’t for offices, no one would have to hear a single SARS joke. if you were thinking of making one, please stop. if you hear someone cough and find yourself replying with, “SARS?” that just isn’t enough. you have to craft your jokes a bit, ok? it’s like finding out the 1:30pm showing of What a Girl Wants is sold out, then turning to your friends and saying, “the terrorists have won.” that type of joke is what’s known as a ready-made. please try to consider this a public service announcement. i don’t mean to player-hate.)

In addition to this never-ending cold, I’ve had an assortment of other ailments. In fact, I’ve been so sick that I’m getting import illnesses before they even reach American shores. People come to me for the latest, hottest shit, like I’m some kind of bacterial mix-tape peddler in the East Village. Right now I’ve got something that causes you to lose balance, itch behind the ears, and cough so hard it feels as if your lungs are flapping around like semi-inflated balloons. It’s totally hot. There isn’t even a name for it; it’s totally white label right now. I heard when it reaches America it’s going to have a few new symptoms that aren’t available in the version I’ve contracted, which means I’ll have to consider catching this illness again. I am such a completist.

(a friend told me i might be especially susceptible to illness because of the antibiotics i’ve been taking for the last several months. that sounds perfectly ironic, but i’m inclined to believe her because she can identify every species of fish known to man. it’s strange but i trust in the global knowledge of anyone who seems to have an obsessive, specialized knowledge in any particular area. maybe it’s because i can only remember the names of fish that sound funny to me. “ladies and gentlemen…who ordered the clown fish?!?!”)

I KNOW IT’S INAPPROPRIATE

But I think this would make a lovely addition to my under-furnished, water-damaged Brooklyn squat. I will be waiting by my mailbox, shuffling nervously from foot to foot.

MORE WORDS THAN CORPSES

Yes, I’m dedicating even more space to a discussion of Rob Zombie’s cinematic opus, House of 1000 Corpses. However, that’s only because my more official review of it is up on Film Threat today. The best thing about the Film Threat site is that they are so fair to their milieu that they have actually allowed space for two partially contrary reviews of a movie this bad. Another reviewer generously afforded it two stars, while I punched its dick hard with a stigmatizing half-star. And it only got that half because of the film’s liberal sprinkling of naked corpses.

POLLINATE

Today I woke up with an erection (not so unusual; i have a farrah fawcett latch-hook rug displayed on my ceiling above my bed) and it has persisted all day. I can’t get it to relax, no matter how many times I punch it with my fists or slam it in my office door. Yes, It’s spring in New York City today.

If you don’t live here, where the loveliest men and women on earth come to nest, you might have difficulty fully comprehending this all-consuming sensation. Perhaps where you live spring weather simply means more parked cars with Tasmanian Devil sun visors propped up in the windshield. Maybe it means the soccer moms are hornier. Or maybe it’s springtime every single day, and you’re a huge jerk. I don’t know how you roll. But here’s how we do it:

Imagine one day waking up to find that everyone you’ve been sharing a bus/subway/train with, everyone you’ve barely acknowledged on a daily basis, is suddenly the most gorgeous, sexually desirable creature you’ve ever seen. They’re 25 pounds lighter than you’d remembered. Women wear their hair animal-hot and let it curl at the ends like beckoning fingers. Guys have melted off their carb faces. Grey, bland complexions are flushed with curiosity. And everyone seems to be wearing the same expression – the one that says, “ask me about my uncontrollable libido.” In New York City, there is a name for this unusual phsyiological phenomenon. It’s called “86 Degrees Farenheit.” Excuse me while I smash my genitals with a phone receiver.

p.s. Last night, on the soft eve of this beautiful weather, I was buying produce at my favorite – i.e. most conveniently located – Korean grocer. I struck up a conversation with the cashier as he scanned my baby carrots and weighed my fudge (4.5 pounds). Suddenly, after several minutes of complaining about his sore hands, he announced, “maybe it’s because of all this Nature’s Beauty that my hand is hurting.” (his english – not the best. just like mines.) I looked puzzled, sort of the way a dog looks after the ‘disappearing treat’ trick, so he elaborated.

“Nature’s beauty. You know. All these pretty girls.”

“Ah.” I concurred politely and silently, by making the split-finger gesture over my open mouth and flicking tongue.

Then he added, “You so lucky to live here in Park Slope. In Queens – nothing.”

Hey, Queens – our heavily politicized lesbians are sexier than your Greek Orthodox senior citizens. Eat it, QB!!

HOUSE OF NOT NEARLY 1000 CORPSES

When the lights went down and the movie began with a fake CREATURE DOUBLE FEATURE broadcast, I felt really good about House of 1000 Corpses. And in ten short minutes, that good feeling was drained out of me like blood from a skull. I could spend a great deal of time complaining about this movie (and i have, elsewhere) but I am also aware that each complaint could easily be answered with, “but you paid money to see House of 1000 Corpses.” TouchĂ©.

I realize one must aggressively manage expectations over a movie like this, but shouldn’t I have been able to expect, at the very least, one house filled with (or composed of) 1,000 corpses? There was a house, to be sure. And there were some corpses. But 1,000? I didn’t stay until the end because that would have meant ditching my plan to shout, “fuck you, Rob Zombie! I’m sneaking into What a Girl Wants!!!” However, with less than 20 minutes left in the film, there were only about 30 corpses total. That is a generous figure. Unless those homeowners were expecting a FedEx delivery of hundreds and hundreds or dead bodies, House of 1000 Corpses either had the most spectacular finale in the history of horror films, or the second-most misleading title. (William Castle’s failed gimmick movie, Everyone Who Stays Till the End Gets a Reach-Around and a Handful of Butterscotch Candy still holds top honors in that category.)

GOO GOO MUCK 2003

I’m appreciating rock’s occasional return to simplicity. Fitting in tightly with this motif is the impending release of the latest album from The Cramps. Hot damn. That band was my first personal departure from the strict code of musical tastes my high school friends and I followed in perfect lockstep. As a unit, we championed XTC, REM, The dbs, Young Fresh Fellows, Elvis Costello, The Feelies, Yo La Tengo, Scruffy The Cat, and anything from Athens, GA or New Zealand.

But I always had a creepy side that I kept secreted away from my friends. A side that craved the Other adolescent pornography found gleaming like guts between the pages of Fangoria magazine. It wasn’t cool, like Jim Jarmusch, but it made my teenage blood boil in the same way. I had a crush on monster make-up, gore prosthetics, and the work of Tom Savini, Sam Raimi, Stuart Gordon, George Romero and Tobe Hooper. This was a league of men drawn to create some kind of weird splatter pornography where decapitations and chomped brains were the surrogate money shots, and I collected their work alone because I felt so alone with my desires.

And that’s what drew me to The Cramps and, in some ways, away from my core group of friends. I saw a copy of Bad Music for Bad People at my local record store, and its cover art knocked me out. It was a crap-yellow background with an ink drawing of a fleshless fiend with a pompadour haircut. It had the band’s name in that great creature double feature radioactive ghoul lettering, and song titles like “Goo Goo Muck” and “Human Fly.” I bought it based solely on its aesthetics. (this was before i inherited my first copy of The Trouser Press and could fact-check most minor curiosities.) Then I bought others. And more. And even when I thought I was done buying albums by The Cramps, I would still fawn lovingly over their area of my record store’s “imports” section because that’s where one could find their 12″ picture discs screened with a photograph of Poison Ivy in mid-squat.

Yesterday, an advance of their latest album arrived at my home. It’s called The Fiends of Dope Island and, in case one might think this album could possibly be a departure for the band, allow me to reproduce its track list:

  1. Big Black Witchcraft Rock
  2. Papa Satan Sang Louie
  3. Hang Up
  4. Fissure of Rolando
  5. Dr. Fucker MD
  6. Dopefiend Boogie
  7. Taboo
  8. Elvis Fucking Christ!
  9. She’s Got Balls
  10. Oowee Baby
  11. Mojo Man From Mars
  12. Color Me Black
  13. Wrong Way Ticket

(and yes, there are lucky 13 tracks.) The lettering on the CD case is a typeface meant to look like compositions of human bones, and there’s even a dedication to shitty C-movie star John Agar. (maybe the cramps weren’t so different than young fresh fellows after all) The refusal to mature that this album represents is sort of invigorating. So much so that I think I just got pushed over the edge into insanely poor judgment. That’s right – I’m going to see House of 1000 Corpses.

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