HOW TO PLAN YOUR COSTUME

I am thinking of attending a Halloween party this evening, but I’m a little frustrated by its Draconian standards for entry. Being required to attend any party in costume is a bit of an imposition, but not at the cost of having fun. (Particularly on Halloween; if you’re angered by a costume dress code at a Halloween party, you probably deserve to have your opinions toilet-papered, shaving creamed and egged. I’ll bet you’re handing out Oral-B Brush-Ups to Trick-or-Treaters.) However, this party requires an additional clause for costuming: everyone must dress as “URBAN ROYALTY.” It’s confoundingly vague.

I’ve been spending the afternoon divided between being angered that I can’t dress as Bizarro Superman for Halloween this year, and being perplexed by what URBAN ROYALTY might mean. Here are some ideas I came up with, and I’m sure I’ll enjoy reading this list back to myself tonight, while I sit in my apartment in the dark, with the shades drawn, hiding from children:

URBAN ROYALTY COSTUMES
The King of Queens
Mr. Gay 2004
The Heterosexual Ambassador to Park Slope Lesbians
The Minister of Mole People
The Earl of Pee
Lord ShittyPants of the Bowery
Lord Bridge & Lady Tunnel
The Hunan Dynasty (Express)
Original Ray
V.I.P. Room
Martin Luther King Boulevard

Sigh. Just read this essay on Halloween instead, and consider this an I.O.U.

HOW TO SIT ON THE FENCE

Guys, I have a question – like, a for-serious one? I’ve been thinking about it all night and, man, I just don’t know. Tell me – should I add “SAW II” to my MySpace friends?

I mean, he seems smart, you know? He likes puzzles, and I like puzzles. And all of his MySpace friends are saying the nicest stuff about him in the comments section, like:

“sawwwwwwwww is FucKEN SICKKKKKKKKKKKKKKKKKKKKKKKK. Damn WHoever IS da ProDUcer OF thiS mOvies IS craZZZY. saw is a sick movieeeeeeeee.”

and:

I AM PRAYING TO GOD THERE WILL BE A SAW III!!!!!!!!!!!!!!

and also:

“i didnt get to go cuzz im to yung, so i got to see crapy ‘THE FOG’ that sucked so much!!!!”

and this:

“Happy Halloween from MadMark.”

And so many more nice things about how “sick” and “badazzzz” and “frikken genious” he is but I wonder: is all this positive feedback going to make him stuck-up? Like The Louis XIV Album, or that black doll from the Sprite commercials? [P.S. black doll – um, you owe me a kudos after I gave you a kudos. It’s, like, kind of how it works, protocol-wise.]

And do I really want to be friends with someone who already has, like, last time I counted, 14,104 friends? Seriously, how much time will Saw II have to comment on my photos [new onez up, btw!!] or read my blog entries, or forward around my quizzes?

Also, and I don’t mean to sound derogatorian or anything, but it’s kind of a little messed up that Saw II’s MySpace profile name is “OH YES…THERE WILL BE BLOOD.” I’m just saying, it’s kind of focusing on the negative stuff, you know?

OH GOD FORGET IT I’M TOTALLY ADDING YOU AS MY MYSPACE FRIEND, SAW II!!! I hope you get along with The Cast From Rent. [FYI – from what I can tell by their songs, they mostly have AIDS. So hugs are OK, but maybe don’t get more involved?]

HOW TO TURN BRAGGING INTO AN ART FORM

Last night’s How to Kick People was a strange but ultimately pretty wonderful affair. We had a technical difficulty that prohibited us from presenting the excellent work of Miss Emily Flake (I’ve really become kinda smitten with her comic strip and we’re going to have her back in the next couple of months, for sure.) and that was all very frustrating, but we also had one of those really nice moments I will kind of remember for the rest of my life, and one of those reasons I wanna do this show forever and think that anyone who doesn’t attend the show because of TiVO or something might be kind of a dick. Seriously, think about that.

OK, so last night’s musical guest was Peter Fitzpatrick, a swell singer who can also play nearly every musical instrument you’ve heard of and a few million more you haven’t heard of, and plays a bunch of those instruments and sings with the band Clem Snide. He also performs with another band, The Pee Wee Fist, and under several different names as a solo artist.

Last night, he performed as NO ONE LISTENED TO OUR TALES OF MONSTERS, a name chosen at my suggestion. (Other names that were considered but ultimately rejected: The Lady Apples; Creaky; The Fireproof Students; Books, Bugs, Bubblegum & Bells – all of those are still available to aspiring musicians, providing credit is provided where due.) For one of his songs, he explained he was going to perform a duet with his wife. His wife, however, was in Napa, California. So, with his mobile phone on speakerphone, and resting on a tom drum with a mic in front of it, Peter and his wife sang together, live and scratchy, together and apart, onstage and (according to her) in the middle of a vineyard, watching the sunset turn the whole world pink. It was a love song about the two of them, and it was perfect, even with its occasional mess-ups and false starts included. Puppy-with-a-chewed ear precious. A handwritten-note-you-found-in-your-shirt-pocket left there ten years ago precious. A pretty girl in scuffed shoes precious. You don’t get many like that, and it felt nice to host it.

And in between then, I made someone from the audience hold up a large drawing of my penis as I pointed out all of its physical flaws to the room. The bartender at Mo’s hopped up onstage, unannounced, to show me (and everyone else) a large can of glass cleaner that states, directly on the can, “KILLS HIV-1 VIRUS.” Bob talked about a deformed twin brother, active pus, and millipedes crawling into loincloths. And Rena warned all of us about tramps and hoboes who sneak into delis and spray their own piss and shit on steam table entrées. I guess what I’m trying to say is, it can’t all be magic. But it was some damn fun.

HOW TO KICK PEOPLE SLEEPS WITH THE LIGHTS ON – TONIGHT @ 7:30PM

I’m excited about tonight’s How to Kick People. One of my new favorite cartoonists, one of my favorite comedians, and a musician from one of my favorite bands. I can’t believe I get to have all that stuff at once. You can, too.

HOW TO KICK PEOPLE SLEEPS WITH THE LIGHTS ON
Tales of irrational fears, phobias, and being scared of stuff that isn’t really scary.

Wednesday, October 26th at 7:30pm
at Mo Pitkin’s House of Satisfaction
34 Avenue A, between 2nd and 3rd Streets
Tickets: $8

Here is a video of Bob and I preparing for another great show:

HOW TO SEE YOURSELF A BIT DIFFERENTLY

This was pretty strange to see: my “comedian” page on the Comedy Central web site. (Not much else there to see, unless you click on that link to “EXTRAS” on the left. I was supposed to submit a bio, but I don’t have a manager and I’m no good at writing things about myself like, “Todd brings a freshness and energy that lights up audiences from Branson, Missouri to Kalamazoo. He has literally redefined ‘Naughty Hypnotism’ as a comedy form.”)

What’s weird about that picture, besides it being featured on the web site alongside people like Woody Allen and Sinbad, is that it puts me in a context that I’ve sort of been denying for a long time. It makes no sense, but it used to really frustrate me when people described me – either to myself or to others (most often as a way to set a link to a post on this site) – as a “comedian.” When people asked me what I did, it took me such a long time to have the confidence to answer, “I’m a writer.” But when I started to do that, I didn’t feel pretentious or phony, as I feared I would. I felt pretty good. Cool, even. Fresh and also def. I felt all those things. And gnarly and wicked awesome. But not grody.

I still tell people I’m a writer, and sometimes I’ll add, “and I also do comedy.” I do it. I’m still too nervous to say, “and I’m a comedian,” because I’m dealing with all those phony/pretentious feelings all over again. Plus, it’s much worse with comedy. It’s a much more petty, jealous group. It’s easy to claim yourself as a writer, with just a couple of published piece. But if you tell people you’re a comedian, there’s always a few hundred struggling comics who will refute that status. Talk to a few comics, and you’ll find out they have an amazing set of personal guidelines that dictate whether someone can truly call himself (or herself) a Comedian. You’re not a comedian until you’ve played this room. You’re not a comedian until you’ve worked the clubs. You’re not a comedian until you’ve worked the road. For five years. Or ten. Or until you’ve been on television. Fuck that, NETWORK television. You’re not a comedian until you’ve gone down on Mitzi Shore. Or featured for Chris Rock. Or played a black club. Or performed in front of the Klan. Or been heckled, or threatened with violence. Everyone has a different rule, and the debate is held in the backs of clubs, along bars, or anytime a new comic starts getting any kind of attention.

But check that picture out. It’s telling me I’m a comic. Man, I even look like a comic in that picture, shrugging my shoulders, grooming my hair, and letting a slight smile leak out. I’m not wearing glasses, though, which I should admit was a totally conscious decision. I was worried that when I walked out onstage that night, looking the way I do, the audience would see me in glasses and instantly think, “Oh, he’s one of those comics.” The Glasses Kind. It sounds dumb, but I think there’s truth to it. Glasses really set expectations – and that’s fine – but I was worried about telegraphing myself as a “character” too clearly so I thought it would be better to lose the spectacles, even if it meant being unable to read my set list off the giant teleprompter facing the stage.

I keep saying it, because I don’t have another word for it: it’s strange. The goofy smile and all of that. I keep coming back to that goofy smile, which is self-deprecating speak for, “holy cow, I actually look really happy.” Now, whatever I decide to answer when asked what I do, I’ll know, at least on comedycentral.com, I’m a Comedian under the letter “L.” Just like Larry the Cable Guy.

HOW TO PLACE A STAKE IN THE GROUND

There are only two things I’m sure of. One of them is, if you can’t decide on what to make for dinner, you can’t go wrong with a coffee mug filled with melted monterey jack cheese. Hard to fuck that one up.

The other thing is, if you are under 55 years old and living in a major U.S. city, and you smoke a pipe, there is a 100% chance the decision to take up that particular habit was a totally conscious affectation that had nothing to do with a love for pipe tobacco. Sorry, 25 Year-Old Guy With Tweed Blazer who still cites Catcher in the Rye as his favorite book in his MySpace profile.

HOW TO DISTANCE YOURSELF FROM TRADITION

This afternoon I saw an Orthodox Jewish man standing hear the subway station. He was dressed head to toe, in classic Jewish Penitent Black. Smiling, and carrying a lulav (a green, rigid palm branch) in one hand and, in the other, an etrog. (a citron or, according to Jewish holiday tradition, “the fruit of the goodly tree”)

So, here he was, standing around in broad daylight, dressed in black, smiling a giant Jewish guy smile, holding a palm branch giant lemon. And, for perhaps the first time since I was circumcised, I thought to myself, “Man, my religion is just plain nuts.”

HOW TO APPRECIATE THE MEDIUM

When I began writing tremble in 1998 (veteran status brag), I used to update the site maybe once every two or three weeks instead of today’s more feverish pace, once every 10 days. Back then I would write longer, self-contained pieces, often without any reference to the immediate here and now, or any link to a quick cultural moment or the rest of the Internet.

Now, I’m constantly torn between long, slightly considered (and sometimes even proofread) entries that I suspect only eight people will care about, and quick little stabs about Nanny 911 or Diet Coke with Splenda or the new Noah Baumbach movie (which should be called The Squid and the First Truly Excellent Noah Baumbach Movie That Doesn’t Rip Off Whit Stillman) that I think only eight people should care about.

At the same time, my improved attention to this site might depreciate my voice a little bit, but it also gives me enough room to get long-winded and sentimental (see: previous post) and also inform readers of this very important piece of information: Brach’s Autumn Mix needs to take it easy on those little pumpkins. Biting into one of those makes you realize why many people hate candy corn. For people who hate candy corn, and haven’t built up a tolerance for it, each single sliver of it probably gives them the same thick and sickening sugar grenade feeling I get when I bite into one of those morbidly plump candy pumpkins. I wish Brach’s made a bag containing only pumpkins, so I could walk into a drug store and, when no one’s looking, crush each bag in my fists. That intense sense of touch would be far superior to the sense of taste Brach’s Halloween pumpkins produce.

HOW TO SHOP LIKE YOU CARE

I read something today in The Independent about a gentleman who purchased a pair of leather pants at the urging of a woman he wanted very desperately to French, and later sold them on eBay to great critical and public acclaim. Honestly, the outpouring of affection for his eBay ad struck me as a little disproportionate, but many things that wildly spread across the web – including things of my own invention – feel much smaller than the reactions they garner.

But the story reminded me of the ridiculously stupid things I’ve done to casually earn the attention of some woman or another when I was younger. The earliest example I can remember is when I, in the summer between my junior and senior years in high school, had a tremendous crush on an outgoing senior who was headed off to college in the fall. She worked in a book/greeting card/Gund®/delicate ceramic animal store that failed on pretty much every one of those fronts. (And, not surprisingly, no longer exists. I’m sure there’s a mobile phone store in its place now.) I sometimes popped in on my way back from purchasing Cinnamon Softees at the drug store next door. My visits generally lasted for about five minutes, during which I’d thumb through the latest humor books, like Generation Ecch or Son of Sniglets, or one of the many Bloom County anthologies. I wasn’t much for reading.

But at the time I was very much for trying to make out with tiny, withdrawn, cynical, slightly older women, and one of those women worked the register during a few weekdays. My crush on her brought me into the store more and more, and significantly changed my browsing habits. Instead of reaching for Billy and the Boingers, I started blankly staring at the three or four rows of “important” fiction classics, desperately hoping she’d notice.

One day I decided the only way I’d summon enough nerve to speak with this girl would be through a completely transactional relationship; I was going to buy something in order to break the ice. (In hindsight, it has occurred to me there were several easier, more honest, and less costly ways to start a conversation with a girl from my high school working behind the counter of a lousy shop. It gets boring back there, and most people welcome interesting small talk, providing the person initiating that small talk isn’t fumbling around lustfully in his front jeans pocket.) However, if I were going to do this, I wanted to make sure I dazzled her with a purchase that was not only solid in its literary merit, but also telegraphed itself as slightly offbeat and uncommon. A classic, but not necessarily one we’d had pounded into our skulls in high school. In other words, A Brave New World and Hammer of the Gods were both out of the question, even though each contained many interesting discussion points. (“Do you think that’s a comment on the post-Freudian self-prescription of our society?” “Do you think that stuff about the baby shark is true?” etc.) A Clockwork Orange was out as well – nicely masculine but, for the purposes of courtship, the novel might come across as a little too “rapey.”

There was also my budget to think about. On the salary of a part-time public library employee, anthologies and hardcovers were strictly out of the question. Finally, I didn’t want to seem braggy by dropping an 800-page tome on the counter. That meant my first choice – and a genius one, as far as I was concerned – of The Tin Drum did not make the cut. Nor did The Unbearable Lightness of Being because that would sort of be like passing a note that read, “DO YOU LIKE TO MAKE FUCK?” Plus, I’d never heard of that book. Like I said, I wasn’t a big reader.

I settled on Sir Thomas More’s Utopia, for reasons that still remain completely unknown to me. I guess it just seemed pretentious enough (SIR Thomas!), short enough (about 112 pages or so), and upbeat enough (Not dystopia – UTOPIA!) to impress upon this woman that A) I enjoy reading and B) I am in pursuit of high ideals, that may include but are not limited to creating an ideal society, and touching you over your bra. The truth was, I knew nothing about this book. I’d heard it lumped into a general discussion about dystopian/utopian texts, and I thought it would be an interesting choice.

I brought the book to the counter, a little too proud of myself. Here is the conversation that followed:

ME: “Y-y-you know this book?”
HER: “Nope.”
ME: “Cool.”
HER: “That’s six twenty three…”
ME: “Oh! I don’t n-need a bag.” (POINTS FOR ENVIRONMENTAL ACTIVISM!) HER: “Got it. Out of seven…thanks.”
ME: “OK. Oh, um…bye. Thanks. Bye.”
HER: “…”

We really connected.

[Full disclosure: After growing unnecessarily obsessive about my crush, I made a power-move a few weeks later. Drove to her house and left some flowers for her. Can’t say why, exactly. I left my phone number and name, too, and she called me back. Soon after, we spent a long evening of late-night conversation on her living room couch. I kissed her goodbye, quickly, and then she left for college. My senior year started, I met someone just as all people meet someone in their senior year. I never kissed that book/greeting card/Gund/delicate ceramic animal store clerk again, a fact that did not come without a bit of disappointment and backpedaling. Also, I never got past page 14 of Thomas More’s Utopia. I hope Utopia turned out well.]

That wasn’t the last wasted expenditure I made in the name of crushdom. Just ask my copy of David Gray’s “A Century Ends” CD. (Purchased at the polite insistence of the record store clerk I was moon-eyed for and listened to exactly almost once. Doesn’t matter; I would have agreed to buy anything, even an album by Stone Temple Pilots or Toad the Wet Sprocket, for that woman.) I still have More’s Utopia and, despite many better albums that have ended up in used record bins or on stoop sale blankets, I think I might still have that David Gray album. You can’t throw that kind of stuff away; it would be like burning a love letter, written by yourself.

HOW TO TURN UP THE KNOB ON THE ADORABLE-METER

If I thought it were within reason to use this photograph (taken by miss lisa whiteman) for every personal promotional image, and piece of photo identification including my driver’s license and employee security badge, I absolutely would.

I put this to you: how could acts of unspeakable evil (e.g. The Tonight Show with Jay Leno) exist in the same world as this photograph? It’s a true conundrum.

(Shortly after this photo was taken, I got to second base.)

Homepage photo: Lindsey Byrnes
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