DUMBEST DUMMY OF THE ’00s

Recently, I taped one of those VH-1 talking head shows, where comedians and professional wrestlers and editors of Women’s Health Magazine narrate an essential list of cultural moments, such as the 20 Most Pregnant Ladies of the 1980s, or What Were Those Faggots Thinking?!? Part IV. I was a little conflicted about doing it for all sorts of reasons, both real and made up, but was gently talked into it by a friend at the network. She made the very excellent and difficult to ignore point that this would be silly fun, and probably no more harmful to my career than the Hitler uniform I choose to wear onstage at comedy shows, for shock value. (and comfort–the cotton moves remarkably well.)

I went in and, yes, it was actually kind of fun. The only difficult part was my reluctance to use certain kinds of colloquial words that might have pleased the producers. This was because 1) My great respect for the English language causes me to get terrible migraine headaches just from seeing slang like “hottie” or “blogroll” or “23 skidoo” written on a page, and 2) I feel super insincere trying to make that kind of youthful stuff come out of my mouth. (Please understand I realize this also makes me a tremendous prick. My reluctance to fist-bump only makes my interactions more awkward, and my insistence on avoiding emoticons and spelling out every little bit of Internet shorthand is probably only slightly less annoying to people than my insistence on repeatedly telling everyone about these delightful grammatical rules I follow.)

Now that I think about it, there was one other difficult part for me–I had no real memory of about 1/3 of the celebrities I’d been asked to discuss at length. I mean, I recognized their names (mostly), but couldn’t place most of their faces, couldn’t remember their pop songs, never watched their sitcoms, didn’t follow their modeling careers, etc. To their credit, the producers were very nice and did their best to re-awaken my interest in Gabrielle Reece and Toni Braxton, but I guess I was thinking about other things when the rest of the world was obsessing over those two. Actually, it did make me wonder what I was thinking about back then, if not Toni Braxton. Probably something awesome.

Oh wait. I just remembered one last part that was a little difficult for me. (My life is way harder than yours, Burma.) It was not easy to discuss certain things without betraying some measure of cruelty or contempt in my voice. Really, it’s harder than you’d think. For instance, if someone were to say the words “Jordan Knight” to you right now, how many truly positive things would you have to say about him? Keep in mind this isn’t you in the year 1989; this is you with almost 20 years perspective on the version of you that used to wear a gigantic NKOTB button pinned to the single strap holding up your acid-washed denim overalls. I understand and respect that VH-1 prefers upbeat or tongue-in-cheek jokes but, man, when you’re charged with generously offering an extra cultural minute to someone like Jordan Knight or Joey Lawrence, there really is such a fine line between tongue-in-cheek and knife-in-back. (or gun-in-own-mouth.)

Apart from navigating those concerns, I honestly did have a good time and my first thought after wrapping was, “I’d do this again, if the topic were something I’m more familiar/comfortable with.” (i.e. not ’40 Reasons We Used to be Really Horny for Nick Lachey.’) Sure, the experience was a little embarrassing and I definitely wrestled with my own highly self-conscious ideas about integrity, but what it really came down to was this: I got to goof around for an hour. I wasn’t asked to wear a crazy hat, and no one suggested I sing a Gerardo song for grins. I just sat (slumped) in a chair and joked. Pretty painless, kinda fun. Until I saw the show.

Here’s the thing…I sucked. Honestly, after watching the broadcast I was watching some of the other pundits speak very knowledgeably and sentimentally about the show’s subjects and I started thinking, “Ohhhhh, that’s what makes shows work. People who are really good at setting up video clips!” Also, people who are not shy about being very enthusiastic. And people with decent posture. Suddenly, any traces of embarrassment or compromised credibility were supplanted by a very strong sense that I looked chubby, had bad hair, poor posture, and weak eye contact. Also, maybe only about half or fewer of the topics on the program were ones I discussed during my taping. As a result, I didn’t have a lot of screen time. After spending all that time deliberating about doing the show in the first place because it seemed a little shallow, I ended up disappointed that I was barely present in the broadcast and, when I was present, it was a really unappealing, nasal version of me. It proved an O’Henry-esque lesson in dramatic irony. And, with literary references like that one, if VH-1 ever produces a special called ’40 Most Gifted Short Fiction Writers of All Time,’ hopefully I will be asked back. But first, I’ll be sure to take night courses in diction, nutrition, and The Alexander Technique.

TREMBLE.COM REKKERD REVUE CORNER

The Roots - Rising Down cover art

The Roots – “Rising Down” (available for purchase at caldor.com)

Recommended for anyone who’s ever wondered what it would be like to have a black man yell at them for 52 minutes straight. The perfect tonic for liberal guilt-addled whiteys with a sinking sensation they’ve had this coming to them for a long, long time. I give it “4 and a half trash cans thrown through the plate glass window of an Italian-American owned pizzeria.”*

*”Haaaaaaaaaaaaaaaaaaaaaaaaaaate!”

I HAVE A CRUSH ON THIS MOVIE

Over the weekend, I was alerted to the presence of a few dark hairs growing in the small of my back. That means long nose and ear hairs are not far behind. My skin is losing its elasticity and, in the process, revealing some ancient and positively Dane Cook-esque adolescent acne scars that I never even realized existed back when my skin was taut and dewy with youth. (My dermatologist was dismissive, telling me, “Guys can get away with looking a bit more rugged.” At least I think that’s what he said; it was hard to hear him while I was face-down, crying into a pillow with a disposable quilted paper pillowcase.) My metabolism is slowing and my middle is widening. When viewed from certain (all) angles this gives me the appearance of having a second, non-functional ass perched atop my original one. I can probably fix this, but it will take an actual, rather than stated, commitment to exercise as well a denial of certain things I enjoy. (whiskey, beer, red velvet cake) Plus, even if I do spend more time in the gym, the treadmill has been hell on my knees lately. Sitting cross-legged is difficult, and makes me feel silly in Lisa’s yoga classes.

But still, even as my knees fail me and my body sprouts weird hairs and I can’t stay out late like I used to and Saturday nights spent at home don’t really leave me feeling unwanted or left behind, and I’m making myself drink water and moisturize before I go to bed to avoid looking like Clint Eastwood’s neck, somehow I’m able to temporarily ignore all these undeniable signs of aging and get all crying-eyed and queer for movies like American Teen. I wonder if that sensation ever goes away, and is replaced by curly silver hairs and tumors.

But sincerely: “there’s a lot of grease on the table now.”

FUNNY BECAUSE IT’S TRUE

New York Comic-Con 2008 is officially over. In keeping with a tradition I’ve held since the very first NY Comic-Con, I opted not to attend. For those who do choose to attend, however, there are many joys to experience at Comic-Con–purchasing a comic book while being crushed in by 100,000 other people; getting your photograph taken with the guy who played Greedo; receiving a free Iron Man movie poster with your convention badge, then carrying the rolled-up poster around all day and, after finally coming to terms with the fact that you are never going to hang this Iron Man movie poster in your apartment or anywhere else, depositing it among the thousands of other Iron Man movie posters in one of the trash cans at the convention center exit. But for die-hard comic fans who look forward to this convention as a way to relax and show their true colors, perhaps no joy is greater than being asked to appear on-camera by one of the hundreds of correspondents attending the convention in the hopes of pointing a camera at a chubby IT professional in Darth Maul make-up, with sarcastically hilarious results.

For every three diehard comic book and sci-fi fans, there was probably at least one person with a microphone hoping to produce a local news story, late-night comedy remote piece or barely-credentialed Web video, frantically searching the convention floor for the most outlandishly dressed or most socially awkward attendee to interview/tease. For those of us who did not attend this convention, we can at least enjoy the experience of watching a very smug person pretending to be interested in Comic-Con while scarcely able to suppress his very fresh “virgin” and “living in your parents’ basement” jokes long enough to lull his interviewees into their false sense of security. Sorry, Comic-Convention attendees! If you didn’t want to get made fun of, maybe you shouldn’t have attended a convention that was ostensibly designed to let you indulge and celebrate your slightly fringe subculture amongst other like-minded fans in a safe, semi-private environment.

As editors work overtime, I will wake up each morning bright and early, eager to see one of the many wonderful videos of someone coaxing two Star Wars-obsessed attendees into a toy light saber duel as he stands back and gives that very essential “get a load of these queers” wink to the camera, just so we all know that he does not condone these nerdy shenanigans. Seriously, what is it with those nerds, right? Do they think they’re real Jedis or what? Sometimes, if the interviewer is really interested in making his Comic-Con video really soar in quality, he will go the extra mile and throw himself into the mix for a good laugh, taking light saber to hand to join the fight, as his eyes ask the camera person, “Holy crap are you getting all this?” This kind of dedication to expertly mocking one’s interview subject really lets us, the audience, know “I am not too scared to appear as if I am actually friends with these people for a few minutes but stay tuned for the part where I act extra over-the-top, because that is my signal to you that I am above all of this and as soon as the camera is turned off I will probably go somewhere and do pretty cool stuff like drive a sports car, or see a live band or get a bunch of ass.”

So thank you, journalists, for your intrepid and mocking coverage of Comic-Con. It’s comforting to know that, yet another year, someone (i.e. all 200 of you) had the uniquely great thought that, “Hey, I’ll bet if I went to Comic-Con I could find a ton of nerds dressed all crazy. That might be something someone would want to see.” And thank you even more, for following through on that instinct and bringing a news crew to Comic-Con over the weekend, then pointing your camera at someone wearing an painstakingly handmade Ghostbusters costume so the rest of us can laugh, shake our heads, and say, “yeah, man, those guys are certainly not cool like me. Case closed.” You really exposed the shit out of that one. See you in a few months, at the Celebrity Impersonator Convention.

THIS MOVIE HAS NO HEART

I never read Iron-Man comic books when I was a kid because, really, who cares? He was a pretty generic-looking, expressionless hero who seemed to take himself way too seriously considering the fact that he was also a big, clunking metal person. Iron-Man seemed like the kind of superhero you’d be into if you were a child with aspirations to become a European automobile engineer or CEO for an investment bank. I preferred the more sardonic, wise-cracking heroes like Spider-Man and Man-Thing. I also read Howard the Duck comic books, though I don’t remember ever actually laughing at them; I just knew they were *supposed* to be funny.

Now that I am a grown-up who still likes sarcasm and video games but also enjoys industrial design and mid-century modern furniture, I can kind of see the appeal of the Iron Man motion picture. The billboard and poster advertisements are very slick, simple and iconic–kind of like an ad for an Apple product.

Here, Iron Man isn’t necessarily doing anything–he’s not shooting laser eyebeams at an Al Qaeda jeep, for instance. (does iron man have laser eyes? does al qaeda have jeeps?) He’s just striking a confident pose and being all kinds of suggestive, forcing your imagination to ask many questions. Like, What do those hand-lanterns do? And, Could is that metal suit impervious to bullets or rockets or pricker bushes or some kind of magnetically charged homing missile filled with knives, each with a small bullet scotch-taped to it? You just don’t know, and I like that. (This “standing there and doing nothing” aesthetic can work against a super-hero film, too, as it did in those X-Men: The Last Stand movie posters I used to see all over the city, where the various characters were just hanging around and being all weepy, like a teenage girl who just got stood up for a Morrissey concert. Here, the mind asks a different set of questions. Like, What kind of poetry are these X-Men into? And, Man, I wonder if they’re still sad because all those Mexican emo kids got beat up? Wow, when did Wolverine become such a puss?) I really am pleased someone decided to run these posters everywhere, especially after seeing the Iron Man motion picture’s less earlier, less impressive teaser posters.

The trailers for the Iron Man motion picture have revealed a few robot-oriented action sequences that seem to be pretty pulse-quickening, too, and that’s certainly something my stalled adolescent brain can get behind. Also, my ears have been very pleased by the many zippy and clangy sound effects employed to capture of the movement of robot men of various sizes, weights and sophistication of design. It’s good to know Iron Man is carrying on the rich tradition pioneered by the movie Heartbeeps and John Tesh and Mary Hart, the original animatronic hosts of “Entertainment Tonight.”

However! There is one particular thing that keep bugging me about this movie, and that is the (probably necessary but often annoying) “training” sequence of the film, where the ordinary person starts discovering his new super powers, with sometimes hilarious results. (Crash! Boing! Fart noise!) This kind of thing was fun to watch in Spider-Man because, seriously, it was Spider-Man and what’s not fun about that? It was less fun to watch in The Dark Knight where Batman sees the Batmobile for the first time and is all, “Bitchin’ ride, Alfred!” and then Alfred hands him the keys and says, “And now it’s *your* bitchin’ ride, Batman, Sir.” And it was not one bit of fun in The Hulk where the Hulk was at a fancy restaurant, trying to drink a class of Chablis and kept accidentally smashing the wine glass in his hand, which would only make him angry and therefore cause him to smash more wine glasses and finally the snooty French waiter comes over to his table and says, “Sir, might I suggest a drinking straw?” and then the Hulk gets super-mad and smoke comes out of his ears and the waiter’s eyes bug out and, man, you just know what’s coming next.

The film studio behind Iron Man has released a couple of the film’s early training scenes for all to see on the Internet. Here is the latest one, where Tony Stark is messing around with his Repulsor (so?) rays:

It’s a bit of fun but once Iron Man really starts flying and gets all disoriented I suddenly lose all interest in this film. I guess there is a certain naturalism to all those “how does this crazy thing work???” shenanigans but every time I see a clip of Tony Stark flailing around and screaming while figuring out the flight mechanics of his robot suit, my brain automatically adds the theme song from the television show, “The Greatest American Hero”:

THE MAN WITH PERPETUAL NERVOUSNESS

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Man, it’s been a good week for music nerds in their 30s. This is my third favorite band of all time. OF ALL TIME. Also, the very first thing I ever wrote for a publication that was not associated with my high school, college, day camp or synagogue youth group was about The Feelies. (I even did the “artwork,” using Aldus Photostyler. O.G.) This essay was horribly written and mawkish as all get out but I was so young and full of verve and completely un-self-conscious and defenseless about the things I loved. These mistakes are forgivable, I think, when you’re all verved up by youth as I was. Boing.

NEW BREEDERS ALBUM

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OK. Better now.

ROOM FOR COMPROMISE

Sean Combs aka P. Diddy aka One of Hip-Hop Entertainment’s Most Distinguished Black Nerds* has decided it’s time to make himself culturally relevant again. After it became clear that no one else was feeling his very calculated “Making of the Band” catchphrase, Diddy took matters into his own jewel-encrusted hands by tapping Sean John clothing to create a special line “NO BITCHASSNESS” t-shirts. As you can probably imagine, they’re as beautiful as they are subtle:

Of course, he’s already taken some heat for these shirts, mostly from people who exhibit unusually high levels of bitchassness. Like the “Stop Snitchin'” campaign, a lot of cultural critics will probably find this kind of message irresponsible and sort of intolerant. And sure, that controversy might buy Diddy a few extra minutes of screen time on FOX News’ “Red Eye” or a small piece of real estate in the front of Entertainment Weekly, but he has to remember he’s no longer a street-level player. These days he’s a national treasure and his words strike at the very heart of our young ones. I guess what I’m saying is, Diddy, if you’re listening–maybe you’ve been spending the day surfing the Web over fellow-black-nerd Kanye West’s shoulder and, after arguing about which Coach leather toilet seat Kanye should link up on his own blog today, you were all “I wonder if that bitchassness over at tremble.com has been updated in this calendar year”–I know you don’t like to do things half way, but maybe you need to chill your zero tolerance policy on the subject of bitchassness. You’re going to make kids cry. Lots of kids. Kids who might have otherwise auditioned for “Making of the Band,” giving you one more great season of black teens with neck tattoos, cursing and fighting until their pants fall down.

Please, Diddy, don’t hurt them before they can hurt themselves and each other. Consider a path of greater understanding:

I know you’re an uncompromising genius–everyone knows how hard you killed it on the Godzilla soundtrack, man–but sometimes compromise is just what you need to spread your message. Spoonful of sugar, Hamburger.

*(hip-hop’s other distinguished black nerds include: Prince Paul, DJ Premier, MC Serch, Ludacris, Talib Kweli, Jay-Z and hip-hop’s original black nerd, Russell Simmons. ironically, the members of N*E*R*D are not nerds.)

HELLO, I’M JEFF MILLIONAIRE

I hadn’t been to the gym in a while, but yesterday I started my big comeback. Besides waking up to the grim reality that right now my mid-section actually shakes while I’m running and something needs to be done about this (corset), the experience also reminded me of how behind I am in BRAVO and VH-1’s reality programming.

The only program I watch from home is Top Chef. It’s even made my DVR short list in these post-Wire desperate times. (The only other shows I record these days are Saturday Night Live, which I will faithfully watch until its dying day–all you haters can step–and HBO’s John Adams, a mini-series that has been piling up unwatched for weeks, like a stack of well-intentioned classic foreign film DVDs rented from Netflix. At some point I will just surrender and delete John Adams, to make room for another episode of Byron Allen’s Comics Unleashed, a show I occasionally hate-watch and from which I gain nothing, apart from spiritual dead-leg.)

The remainder of my reality TV diet (gross) was consumed exclusively via the treadmill-mounted TV sets in my gym. There was a period when I actually looked forward to going to the gym, only because it allowed me to catch up on I Love New York and The (White) Rapper Show without any measure of shame, mostly because I knew the person next to me was watching TMZ TV or MTV’s Date My Cock. Also, I was fast, like a pinto, and there’s no shame in that.

Last night I watched the re-aired season premiere of Bravo’s Millionaire Matchmaker. I knew nothing about this show’s existence prior to watching this episode, but it turns out “Millionaire Matchmaker” does not have a steep learning curve. This show is so calculated and awful that Bravo should consider changing its name to “Polite Applause.” (“Bravo!–to Todd Levin’s trenchant and masterful wordplay.”- Tirelessly Opinionated Shut-In Magazine.blogspot.com) In the first two minutes of the program, Patti, the show’s “star” and CEO of The Millionaires Club (does a company with four employees really require a CEO?), must have said the word “millionaire” about a dozen times. I guess she wanted to make the glamour and glitz of being a millionaire truly stick, particularly for viewers who might have otherwise overlooked the fact that her company is called The Millionaire’s Club and her show is called Millionaire Matchmaker. In her efforts to blow us away, Patti addresses her clients not by name, but as millionaires—as in, “I have lunch with a millionaire today,” or “I have a great match for you–he’s a millionaire.” Also, whenever one of her clients first appears on-screen they are accompanied by a chyron that says something like–I am not kidding–Jeff – MILLIONAIRE. It is very, very satisfying.

While Patti spends a lot of time making sure we understand she does not run an escort service, it seems she forgot to share that news with her millionaire clients before accepting their high-priced application fees. This becomes especially obvious when she interviews “Dave,” a guy who sells Tiffany crystal dildoes online and has a stripper pole in the middle of his apartment. (There is a small, thin mat on the floor around the stripper pole, maybe to collect “drippings.”) When Patti tells Dave that her girls will not have sex unless they’re in a committed relationship, he becomes so crestfallen that his faux hawk goes kind of limp. It makes you wonder, who is worse: Dave, for being so addicted to L.A. trim that he doesn’t even consider removing the eight screws holding his in-home stripper pole in place before meeting with a matchmaker; or Patti, for approving a Sex Toy entrepreneur with a “manageable” body spray addiction and a working stripper pole in his home, and then expecting him to settle down and have babies with one of her clients? The answer: Bravo.

Patti’s “no sex” policy is very admirable, especially when edited together with a clip of Patti describing a petite female client as a “spinner,” because her frame is so small that a dude could literally spin her around on his weenus like a helicopter. (Petey Pablo shout-out) Has anyone ever done that, by the way? Or is that like the MAXIM Magazine equivalent of the Darwin Awards? Kind of like blowing cocaine into someone’s asshole? It seems like the only person who would try something like that would be one of the guys who decided to lie down in the middle of the street to bro out just like those football players in The Program, and actually survived?

Speaking of membership standards, Patti claims her female clients are glamorous, sexy and smart. She says this a lot, in fact, despite a lot of audio-visual evidence suggesting many of her female clients are either aging whores, reformed whores, or whores in their prime. In other words, women naive, deluded or just sad-faced enough to apply for membership in something called The Millionaire’s Club. “You want me to go on a date with a guy who is ten years older than my dad, has never been married, and carries a card in his wallet that says ‘MILLIONAIRE CLUB-PLATINUM V.I.P. PRIVILEGE MEMBER’, like he’s some kind of eight-year-old with make-believe business cards for organizations like ‘SUPER JUSTICE FIGHTER SQUAD’ and ‘SUPER READERS CLUB’? Can’t I just have sex with a pile of money instead?”

Of course, all of this still fails to touch upon the show’s most self-deluded flaw: a million dollars is not a lot of money these days. Seriously, in L.A.? Is it that hard to find someone worth one million dollars? Guys who sell ass plugs from their home office can be millionaires. Again, are all of you children? Are you that girl in the ‘Welcome to the Jungle’ music video? Does the prospect of getting your hands on part of that million-dollar fortune really excite you so much that you’re willing to attend a meet-and-greet at a sleazy racetrack? The guy who owns Facebook is 14 years old and he’s worth 300 billion dollars, and this show has women in their late-forties who are still willing to dye their hair and get cheek implants for a middle-aged guy with a convertible–in L.A.!–and a pretty decent credit limit on his American Express Gold Card. Oh, Patti. In a world that is already too crazy and sad sometimes, you are like a prescription for cerotonin boosters. A ONE MILLION DOLLAR prescription!

DISHONORED

We hardly knew ye…

And, of course, congratulations to the new Governor of New York–the esteemed David Patterson:

I look forward to seeing you knock the 2008 NYS budget the fuck out.

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